30 January 2013

Giant Burger

London's Giant Burger kind of defy genre and description. There are vocals and drums and guitar and bass and keys. There are melodies and there is noise. It's kind of experimental but it's also kind of pop at the same time as being kind of rock and prog and punk and blah blah blah. But then, being made up of a good few members of the now deceased BAANEEX, this kind of skullfuckery is to be expected really.

All that really matters is that I like their songs and hopefully some people who frequent this blog will do too. 'Trapped In Egypt' sounds like the kind of song you might expect to soundtrack a kids' horror TV show, while new track 'Fridges' (taken from a forthcoming four-track cassette on London's Odd Box Records, I think...) hears them at their most self-assured and well-recorded to date. A band increasingly comfortable with their place in the corner of the room with no friends, and I admire that.

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9 January 2013


When I was young, I was pretty vocally defensive of Plymouth, the city I was born and raised in, to anyone who ever criticised it. Only when I went to university in Cardiff and visited places like Brighton, Manchester, Bristol, and London did I realise just how shit Plymouth was. There is no live music scene, there are (or at least were, thanks to The Last Shop Standing) no indepdent record stores to buy new music, and there are even very, very few bands from or based in Plymouth - especially now Gorgeous Bully has pissed off to Manchester. So when I find an even semi-good band or musician in Plymouth, I get very excited.

Amazingly, one-man-band FFNORDZZ (formerly briefly FNORDS) is even more than semi-good. Also born and raised in Plymouth (and currently based here oncemore), the musician spends all of his time putting together experimental bedroom pop songs with a dark and sinister twist. Though he has no Facebook page, two songs sit on his bandcamp: 'Surfer Of The Apocalypse' hears frenzied high-pitched guitar sit atop a repetitive, creepy bassier guitar line, while 'Acid At The Beach' is a slightly lighter and catchier psychedelic-tinged surf-pop ditty.

They're taken from a split cassette single with Pagan Moon on Hello, Hello, How Lo-Fi? out on 17th January and I bloody love them both. Check them out below and keep an eye on his bandcamp for apparently 'a lot more material uploaded' throughout 2013.


5 January 2013


I like the internet. Bands from hundreds of miles away can send me their music and then I can listen to it and then sometimes I really like it and write words about it and other people who might be hundreds of miles away again might read it and like it and then they might tell their friends to listen to it and stuff. That's pretty cool, right?

Bananacondas are a Lansing, Michigan-based "not-so-typical punk" three-piece who write songs with riffs and licks and melodies and choruses that make me want to be at a house party with them doing silly but fun things. It's self-recorded but not to its detriment - the slightly rough sound suits their apparently pretty care-free take on writing songs. Music is supposed to make you feel something, and this makes me feel happy.

There are two free songs plucked from their bandcamp below, with apparently some more songs coming later this month and an album hoped for later this year. I am excited.

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