Heathers

Blogging for blogging's sake is kind of pointless. I don't write this stuff for the potential 'career' benefit of accidentally stumbling upon a band before they become successful, and I certainly don't do it for the hits - I write about a band for the love of the band. I guess this is just me explaining why the blog hasn't been as active lately as it could have been. That's not to say I'm not finding lots of excellent new music that gets me excited, but I am finding increasingly less time to shout about it. Hello quiet Saturday. Hello excited blog post about Heathers.

I stumbled upon Heathers a few weeks back thanks to a tweet from Cardiff Joanna Gruesome (whose new songs are sounding excellent, by the way) and am very, very thankful to them for that. They're a three-piece from LA and 'Teenage Clothes' is their only song online, but that's okay because it is fucking excellent. Fast-paced, energetic, and catchy sunny indie pop with some really lovely jangly guitar, it's also surprisingly moving and actually really sad thanks to lyrics like "there's no easy way for me to say / there's no easy way for you to stay". Genuine love for this.




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Home Alone

About 18 months back (fuck I'm old) I blogged about garage rock Toronto three-piece Stacey Adams. You probably don't remember. I barely do. Anyway, Thomas Mazurkiewicz of that band recently got in touch about a solo project he was working on. "It's alot different from stacey adams, but im alot happier with the music," he says in the email - and he's not wrong.

The title of the debut EP - 'Teddybears & Weed' - from Home Alone probably tells you a lot about its sound. It's sweet and cutesy while pretty laid-back and a bit trippy. A big step away fromt he scruffy lo-fi rock of Stacey Adams but nonetheless impressive and enjoyable. Obviously I'm not the first person to say this (hiya Crack In The Road and Dots & Dashes), but who cares, give it a listen below or stream the whole EP on bandcamp.





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Menace Beach

Always listen to your editor. DIY boss Stephen Ackroyd sent me Menace Beach ages ago. 26th June 2012. I listened. I liked. I forgot to listen again until a few months ago, and have taken this long to post them on the blog. Yeah, I actually get paid to write about music.

Menace Beach are great. Their lo-fi grungy, poppy, 90s-ish sound combines everything I love about Joey Fourr with everything I love about Gross Magic. That's a pretty fucking great combo. It's mucky but it's catchy as hell. They've recorded with MJ of Hookworms at his Suburban Home Studio in Leeds which is always a great sign (he also plays in the live band) and they're going to be putting out a release on the Too Pure singles club in the future which will no doubt be very good indeed. Before then you can check out their four track EP, which is out now on French indie label Desire Records and also available as a free download (or pay as much as you like) from bandcamp.



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The Yawns

The point of a new music blog: to point people in the direction of new music they might like that they otherwise might not have heard. It's fun, I like doing it, but I tend to not find enough time to commit to it properly which results in a blog updated sporadically featuring music that turns out to be not that new after all. Still, let's ignore that this album from the Yawns has been on bandcamp for a good few months. Let's ignore that the band have been around since 2011. Let's ignore that I've been listening to it and not getting around to writing about it for that time. Let's ignore that this blog post comes just as they finish a tour of the UK rather than, more usefully, just before they start one. Let's ignore that both Gold Flake Paint and Song By Toad managed to include it in their albums of 2012 lists. Let's ignore that even R. Stevie Moore liked them before me. Let's just focus on the fact that this is a really bloody good album.

They're a band from Glasgow apparently made up of some of Copy Haho (not that that is especially important) who write jangly, woozy, slightly shoegazey pop songs with lovely guitars and ace vocals and stuff like that. It's so good that the lovely people of Records Records Records decided it deserved to get pressed to vinyl. It does. Enough blabbering, listen below.




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Giant Burger

London's Giant Burger kind of defy genre and description. There are vocals and drums and guitar and bass and keys. There are melodies and there is noise. It's kind of experimental but it's also kind of pop at the same time as being kind of rock and prog and punk and blah blah blah. But then, being made up of a good few members of the now deceased BAANEEX, this kind of skullfuckery is to be expected really.

All that really matters is that I like their songs and hopefully some people who frequent this blog will do too. 'Trapped In Egypt' sounds like the kind of song you might expect to soundtrack a kids' horror TV show, while new track 'Fridges' (taken from a forthcoming four-track cassette on London's Odd Box Records, I think...) hears them at their most self-assured and well-recorded to date. A band increasingly comfortable with their place in the corner of the room with no friends, and I admire that.





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